In Kaspar Hauser by Jacob Wassermann, a town was afflicted by drought, the wells were dry and people became angry and violent until a little boy played so beautifully on his flute that water rose in the wells again. Kaspar Hauser is a cultural symbol of our refractory and resistant nature, our questioning and yearning for authenticity., our utopian and future-oriented restlessness. “The Mystery of Kaspar Hauser” by Werner Herzog is available as a foreign film/DVD from www.modernrock.com. My other fictional model is Oscar from Gunter Grass’ “The Tin Drum.’ As a protest against the Nazi enslavement and genocide, Oscar refuses to grow up and lives out his life in resistance and solidarity. The German philosopher Jurgen Habermas said that instrumental rationality threatens to colonize all life, relationships and dialogue. Professors lament that they are often only asked whether the question will be on the test and whether it will put money in our pockets. The future must be open and dynamic, welcoming and dynamic, self-critical and intercultural. The future must be anticipated and protected in the present, not extrapolated from the present (cf. Jurgen Moltmann, Theology of Hope). The Zapatista vision of one world where many worlds fit and where everyone has a place could free us from fatalism, cynicism and one-dimensionality, the bitter fruits of vulgar materialism (cf. Ernst Bloch) and the self-healing market. – See more at: http://www.freembtranslations.net/about-me/#sthash.umlojbvS.dpuf

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